Free ToolsDI & Reamp

DI & Reamp Guide

Recording a DI'd signal and reamping it later are two ends of the same chain. Tap what you've got.

⚡ What are you plugging in?
Passive guitar
single-coil / humbucker
Active guitar
EMG / onboard preamp
Passive bass
Active bass
EMG / onboard preamp
Pedalboard, buffered
has an active/buffer pedal
Pedalboard, true-bypass
everything true-bypass
Keyboard / synth
line out
Acoustic w/ piezo
Amp speaker out
re-amp send
Passive vs active - which type?
Passive DI - use when:
Source is already strong and low-impedance (active pickups, line-level gear). Need transformer isolation for ground loops. No phantom power around - passive needs none.

Best for: active basses, keyboards, live splitting. Jensen-transformer passives (Radial J48 passive, Whirlwind IMP-2) are the gold standard.
Active DI - use when:
Source is high-impedance and low-output (passive guitar/bass, piezo). Long cable runs need buffering. A passive DI is loading the source and dulling the tone.

Best for: passive guitar/bass, piezo acoustic, long stage runs. Radial J48 (active), Rupert Neve RNDI.
Impedance reference
SourceOutput impedanceDI input needs
Passive guitar pickup (humbucker)~7-15 kΩ≥1 MΩ input (active DI recommended)
Passive bass pickup~5-20 kΩ≥500 kΩ input (active DI)
Active bass / EMG pickup~100-1000 Ω10-50 kΩ is fine (passive DI works)
Keyboard / synth line out~100-600 Ω10-50 kΩ (passive DI works well)
Amp speaker out (re-amp send)~4-16 Ω (speaker)Use a load box - don't DI a speaker output directly
Piezo pickup (acoustic guitar)1-10 MΩ10 MΩ+ input needed - specialized piezo preamp or Fishman-style buffer
Ground loop fix
Ground loops cause 60 Hz (US) or 50 Hz (EU) hum - the same signal traveling through two ground paths at slightly different potentials.
The transformer in a passive DI breaks the loop by coupling the signal magnetically instead of connecting the grounds electrically.
Still humming after the DI? Check the ground lift switch (lifts pin 1 of the XLR). Try both ways - one will hum, one won't.
Don't use ground lifts as a default. A lift in the wrong place floats the chassis ground and creates a shock hazard.
Common use cases
Passive guitar → recording interface
Use the interface's Hi-Z input directly, or an active DI. Skip a passive DI here - it loads the pickups and kills the top end.
Bass → FOH + monitor split
Passive DI with a Jensen transformer. XLR to FOH, thru to amp, second XLR to monitor world. Handles the split without level loss or ground issues.
Keyboard → two console inputs
Passive DI or Y-cable. The DI adds isolation and prevents a ground loop if keys are on a different power circuit from the console.
Amp speaker out → interface
Never connect a speaker output to an interface input. Use a proper load box (Two Notes Torpedo, Rivera RockCrusher) with a DI out, or mic the cab instead.
⚡ What will you send the signal back through?
Dedicated reamp box
Radial ProRMP, X-Amp, Lehle…
Passive hum box / isolator
Pyle PHE400, ART DTI…
Passive DI box
run it in reverse
Active DI box
e.g. Behringer DI800
Interface reamp output
Apollo, SSL 2+…
Spare line output
no dedicated gear
Why a plain interface output sounds wrong
Interface line out is ~24 dB too loud and the wrong impedance - tone goes dull, compressed, no attack.
Guitar pickup~-20 dBu · high-Z
Interface line out+4 dBu · low-Z (~100 Ω)
Reamp box output~-20 dBu · ~10-50 kΩ
How a reamp box fixes it
A reamp box (or a passive DI in reverse) uses a Jensen-style transformer to:
• Step impedance up from ~100 Ω to ~200 kΩ, closer to what pickups expect
• Attenuate line level (~+4 dBu) down to instrument level (~-20 dBu)
• Provide electrical isolation to break ground loops
Signal levels reference
Guitar pickup output (passive humbucker)~-30 to -20 dBu
Guitar pickup output (active EMG)~-10 to -5 dBu
Interface line output (balanced)+4 dBu
Interface line output (unbalanced consumer)-10 dBV (~-7.8 dBu)
Reamp box output (line in → instrument out)~-20 to -15 dBu
Amp instrument input impedance~500 kΩ - 1 MΩ
Interface output impedance~50 - 200 Ω
Reamp box output impedance~10 - 50 kΩ
Recording the DI for reamping
Raw signal, dry, peaking at -12 dBFS. Everything else causes problems when you reamp.
Pre-FX only
Instrument input on the interface, before pedals. Raw pickup signal, nothing printed on it.
Level
Peak ~-12 dBFS Too hot clips. Too quiet hits the noise floor when you crank the reamp send.
No time FX
Delay/reverb on the DI gets reamped and doubled. Record dry, add FX in the mix.
Phase
Tracked DI + mic together? Align phase before the reamp session. Saves headaches.
Complete signal chain diagrams
Instrument DI Box Interface (XLR) DAW track (dry)
reamp later
DAW track Interface line out Reamp Box Amp input Mic Interface
The DI track is your safety net. Record it clean, reamp when the song is done.